Rigoberta bandini too many drugs

3:23rigoberta bandini – the fuck fuck fuck fuck poem (videoclip)rigoberta bandiniyoutube – 23 apr 2021

The spiritual becomes spiritual, when the production changes tempo to try to become a cumbia, and Rigoberta Bandini recites a text with a Colombian accent. It is a hint of the madness that we would later see in ‘In Spain We Called It Soledad’ and which is also portrayed in the live performance recently seen on Youtube for the Thyssen Museum at the end of the following performance uploaded to Youtube. A foretaste of what can be seen on January 23rd at the Madrid Brillante cycle in Madrid: by then Filomena will be history.

rigoberta bandini thyssen

“I’ve always composed,” Bandini-Ribó notes, “but Rigoberta was born in 2019, when I suddenly found myself with a group of songs that I needed people to hear because I didn’t want them to be in my room anymore. I said, ‘I’m going to make a single.’ And it came out just a week before we were confined. It was Too Many Drugs and it started doing well. And here we are.”

Another reading would be in the lyrics, “I didn’t want to either make an apology for drugs or say ‘this is wrong.’ I really have a divided heart, because I’ve done a lot of drugs in my life and I’ve connected with things way up there because of drugs. But I’ve also seen a normalization of drugs in my environment that I don’t like. In the end, it’s toxicity for our body and that also creates barriers for us.” Hence the approach: “Talk about it, but make a hymn to freedom. Because it’s all good.”

“I got pregnant when I had been with my partner for six months,” she recalls about that moment. “I had always wanted to be a mother, but I was ‘pooped’ because Rigoberta was in the drawer. And they put so many fears into you – being a man or a woman, but more as a woman – that life is over, that I’m really glad this is working. I hope there are girls of younger generations than mine who see that it is possible, that you can have a child and continue. Without being Beyoncé, like a normal person. I have lacked that reference and I think it opens a little bit of a path. I, at least, at the time I thought that by my balls I’m going to show the world that I can raise all these things”.

3:47 “fiesta” version of rigoberta bandinipaula gonzález pascualyoutube – 29 dec 2020

“I’ve always composed,” Bandini-Ribó notes, “but Rigoberta was born in 2019, when I suddenly found myself with a group of songs that I needed people to hear because I didn’t want them to be in my room anymore. I said, ‘I’m going to make a single.’ And it came out just a week before we were confined. It was Too Many Drugs and it started doing well. And here we are.”

Another reading would be in the lyrics, “I didn’t want to either make an apology for drugs or say ‘this is wrong.’ I really have a divided heart, because I’ve done a lot of drugs in my life and I’ve connected with things way up there because of drugs. But I’ve also seen a normalization of drugs in my environment that I don’t like. In the end, it’s toxicity for our body and that also creates barriers for us.” Hence the approach: “Talk about it, but make a hymn to freedom. Because it’s all good.”

“I got pregnant when I had been with my partner for six months,” she recalls about that moment. “I had always wanted to be a mother, but I was ‘pooped’ because Rigoberta was in the drawer. And they put so many fears into you – being a man or a woman, but more as a woman – that life is over, that I’m really glad this is working. I hope there are girls of younger generations than mine who see that it is possible, that you can have a child and continue. Without being Beyoncé, like a normal person. I have lacked that reference and I think it opens a little bit of a path. I, at least, at the time I thought that by my balls I’m going to show the world that I can raise all these things”.

3:53rigoberta bandini – a ver qué pasa [bso ‘”amor a primera vista”]disnovayoutube – 28 jun 2021

Her name didn’t ring a bell until a few months ago, but now she’s everywhere. Last season’s revelation is already this season’s reality. She is Rigoberta Bandini, author of songs that are already anthems, such as ‘Too Many Drugs’ or ‘In Spain We Call It Soledad’, with millions of reproductions. Behind this artistic pseudonym is Paula Ribó (Barcelona, 1990), actress, director, writer and singer. This Saturday, at 12.45 p.m., she has her premiere at the Teatro Reina Victoria in Madrid, as part of the Madrid Brillante festival. How is she living all this madness that has been unleashed around the project?