Resumen la colmena camilo jose cela

Camilo josé cela in spanish

Segundo, the name of the cafe attendant, asks for Suárez -who is not a regular- to put him through. Suárez makes his call, meets someone and leaves. Some people look at him because there are people who attract more attention than others.

In Celestino’s bar some guards enter and Celestino hides his bedside book Aurora by Nietzsche. Celestino is moved to recite fragments of the book in front of the guards, who, of course, do not know what he is talking about. The guards laugh loudly after each aphorism recited by Celestino.

On the way, Martin bumps into Paco and tells him that he has been kicked out of the café and fought in the bar. Paco advises him to rest, so Martín goes to the house of his friend Pablo Alonso, who offers him asylum.

Consorcio Lopez, the manager of the café, receives an unexpected call from Marujita, an ex-girlfriend who had to leave without further ado: she announces that she is in Madrid, her twins are fine, her husband is at the doctor’s and is waiting for him in a hotel for the night. Consorcio is taken by surprise and when he hangs up he throws several bottles of liquor on the floor.

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With this work, Cela precedes social realism; after him, it is no more than a pale reflection of a modest shadow of everyday reality, hard, adorable and painful. Sometimes, however, it approaches an image made by deforming lenses, and the author tries to emphasize his bitterness and dissatisfaction with the reality offered to him. The technique used in this work by Cela is the classic model of Huxley’s counterpoint or the American Dos Pasos.

The social situation that unites the work corresponds to post-war Madrid and focuses on a particular society with its characteristics, morality and customs; The protagonists do not make the complete journey through the story, but the swarm of characters take notes and leave notes that weave everyday life; Dirty, reckless, degenerate or corrupt beings are abundant, along with helpless creatures attracted to life, which Cela observes with veiled tenderness.

Camilo Jose Cela’s La colmena can be classified as costumbristas in the picaresque form of the Golden Age is not satirizing, the author is merely entering the Mara of these sectors, regardless of moralizing aspect, this has earned him criticism as a lack of psychology for the life of the characters, silhouettes, which march quickly overlooking a magnificent piece of sketches.

La colmena en español

The best part of the book for me is the narration of the characters’ customs, which allows the reader to create a “real time” image of life in the 40’s, and Cela’s irony and acidity. As for the story itself, I have remained the same as when I started. I’ve spent the whole book looking for the moment when it gets interesting….

The best part of the book is the setting of Madrid in the 40’s and the description of each scene. The story itself for me impossible to follow. So many characters and changes from one paragraph to another that I was lost in each page.

La colmena (1951) by Camilo José Cela is for the literati his masterpiece and that of social realism. I agree with the latter because it narrates through its three hundred pages the costumbrismo of post-war Madrid like few others. And although it is not a heavy book (it reads fast), it does not prevent me from getting lost in many parts and I could not catch the thread because of its large number of characters and intertwined mini-stories. I give it a 7 because I like the way Cela writes but I liked La familia de Pascual Duarte much more.

Camilo josé cela goodreads

Segundo, the name of the café’s host, asks for Suárez -who is not a regular- to put him through. Suárez makes his call, meets someone and leaves. Some people look at him because there are people who attract more attention than others.

In Celestino’s bar some guards enter and Celestino hides his bedside book Aurora by Nietzsche. Celestino is moved to recite fragments of the aforementioned book in front of the guards, who are, of course, unaware of what he is talking about. The guards laugh loudly after each aphorism recited by Celestino.

On the way, Martin bumps into Paco and tells him that he has been kicked out of the café and fought in the bar. Paco advises him to rest, so Martín goes to the house of his friend Pablo Alonso, who offers him asylum.

Consorcio Lopez, the manager of the café, receives an unexpected call from Marujita, an ex-girlfriend who had to leave without further ado: she announces that she is in Madrid, her twins are fine, her husband is at the doctor’s and is waiting for him in a hotel for the night. Consorcio is taken by surprise and when he hangs up he throws several bottles of liquor on the floor.