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The song talks about infidelity. It tells the story of a couple involved in monotony and boredom, neglect and lack of attention to each other, and the imperative need to fill that emotional void and go out in search of new sensations. The song ends tragically. The three crosses refer to the infraganti betrayal that Mario suffers at the hands of his wife Maria, the first stake that is nailed in the forehead, Maria fits it for that reason she says the one that hurt the most, the second one is the one that causes the death of that one, by another thrust in the chest at the hands of the lover, and the lie of the wife, indicating that he died when he was assaulted by two drug addicts.
The cover of the single “Cruz de navajas” follows the minimalist aesthetics of the first single published from “Entre el cielo y el suelo”: bichromatic cover in sepia and black tones. It is an edited photograph of Ana Torroja where she is almost half bust, wearing leather clothes. The photo was placed at a slanted angle from the bottom to the top. Ana appears on the left side of the cover of the single in a body position leaning to the right is an optical effect of the photo.
Mecano la fuerza del destino official video
The song talks about infidelity. It tells the story of a couple involved in monotony and boredom, neglect and lack of attention to each other, and the imperative need to fill that emotional void and go out in search of new sensations. The song ends tragically. The three crosses refer to the infraganti betrayal that Mario suffers at the hands of his wife Maria, the first stake that is nailed in the forehead, Maria fits it for that reason she says the one that hurt the most, the second one is the one that causes the death of that one, by another thrust in the chest at the hands of the lover, and the lie of the wife, indicating that he died when he was assaulted by two drug addicts.
The cover of the single “Cruz de navajas” follows the minimalist aesthetics of the first single published from “Entre el cielo y el suelo”: bichromatic cover in sepia and black tones. It is an edited photograph of Ana Torroja where she is almost half bust, wearing leather clothes. The photo was placed at a slanted angle from the bottom to the top. Ana appears on the left side of the cover of the single in a body position leaning to the right is an optical effect of the photo.
“It is the biggest show ever by the biggest group ever”. With this forcefulness summarizes the choreographer Sergio Alcover (Fama: a bailar) what is Cruz de navajas, the musical show that opens today in Madrid, a tribute to the songs of the group Mecano.
Cruz de navajas, a title that pays tribute to one of Mecano’s best known songs, has “moments of rawness and very funny moments” and several surprises and strong points throughout its representation.
Eight performers like a ring to the finger. Nearly 2,000 people applied for the casting of Cruz de navajas, from which eight artists were selected and assigned the songs based on “their tone, their style and their way of being”, so that their abilities and the songs they sing are used to their best advantage.
Back to the eighties and nineties. All the artists who take the stage are perfectly characterized as in the Mecano era, thanks to a wardrobe of more than 290 costumes made to give life to each piece of music.
La oreja de van gogh songs
The song talks about infidelity. It tells the story of a couple involved in monotony and boredom, neglect and lack of attention to each other, and the imperative need to fill that emotional void and go out in search of new sensations. The song ends tragically. The three crosses refer to the infraganti betrayal that Mario suffers at the hands of his wife Maria, the first stake that is nailed in the forehead, Maria fits it for that reason she says the one that hurt the most, the second one is the one that causes the death of that one, by another thrust in the chest at the hands of the lover, and the lie of the wife, indicating that he died when he was assaulted by two drug addicts.
The cover of the single “Cruz de navajas” follows the minimalist aesthetics of the first single published from “Entre el cielo y el suelo”: bichromatic cover in sepia and black tones. It is an edited photograph of Ana Torroja where she is almost half bust, wearing leather clothes. The photo was placed at a slanted angle from the bottom to the top. Ana appears on the left side of the cover of the single in a body position leaning to the right is an optical effect of the photo.
